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沿街場景 ?Kevin

樹影與外擺區(qū) ?Kevin

設(shè)計單位即時設(shè)計研究所（IM Design）項目地點陜西西安竣工時間 2024.9建筑面積 60平方米

本文文字由設(shè)計單位提供。

街道是建筑的同行者。街道既是母體，也是城市的房間、豐饒的土壤、孕育的場所。它的生存力不僅依賴于人的人性，也同樣依賴于周圍的建筑。Streets are companions of architecture. Streets are not only the matrix, but also rooms, fertile soil, and nurturing places of the city. Its viability depends not only on the humanity of the people, but also on the surrounding architecture.

——Bernard Rudofsky，《人的街道》

沿街場景 ?Kevin

背景

黃良村地處西安市南郊，同中國許許多多鄉(xiāng)村一樣，它在近三十年洶涌的“城市化”進程中，不顯光鮮。Huangliang Village is located in the southern suburbs of Xi'an City. Like many villages in China, it has declined into dust during the turbulent "urbanization" process in the past three decades.

2020年，作為“逆城市化”的踐行者，南山木工的幾個年輕手工匠人回到黃良村生活與工作，之后的4年時間里，這個小小的村子里慢慢聚集了一群有趣且無畏的年輕人。In 2020, as practitioners of "counter-urbanization", several young craftsmen from Nanshan Woodworking returned to Huangliang Village to live and work. Over the next four years, a group of interesting and interesting people slowly gathered in this small village. Fearless young man.

初勘現(xiàn)場，村子里散布著藝術(shù)家工作室、民宿、文創(chuàng)零售等一眾業(yè)態(tài)，但大多藏在高高的院墻后面，傳遞著避世的風骨。我們一圈一圈地采風，想知道這個小小的烏托邦里，還缺點什么。At the initial survey site, the village is dotted with artist studios, B&Bs, cultural and creative retail and other businesses, but most of them are hidden behind high courtyard walls, conveying the spirit of escapism. We went around to collect the scenery, and wanted to know this There is nothing missing in this little utopia.

街道鳥瞰 ?Kevin

場地 ?即時設(shè)計研究所回憶起小時候在農(nóng)村的生活，村口的大樹掩映著木質(zhì)的戲臺。黃昏時，一群小孩子爬上戲臺，假扮節(jié)日里的社火表演咿咿呀呀，驚起藏在后臺里的一群蝙蝠。而如今，村里的戲臺早已廢棄，連木頭的梁柱也朽在土里。When I was a child, I recalled life in the countryside. The big tree at the entrance of the village concealed a slender stage. At dusk, a group of children climbed onto the stage and pretended to be a social performance at the festival. The fire made a babble, startling a group of bats behind. Nowadays, the village stage is completely abandoned, and even the wooden beams are rotting in the soil.

我們想，是時候還給村子一個小小的“舞臺”。I think it’s time to give the village a space “stage”.

概念拼貼 ?即時設(shè)計研究所

設(shè)計

場地給了我們一個院子和兩顆樹：一顆家養(yǎng)的桃樹和一顆無名的野樹。The site gave us a yard and two trees, a domestic peach tree and an unknown wild tree.

這是一個前院后屋的民居院落，后院的二層建筑將作為南山木工的工坊。所以，前院的新建建筑不但要滿足咖啡館的使用需求，還要作為南山木工的入口，有效連接起后院空間并將庭院重新分配給兩個業(yè)態(tài)，形成一種類似“后工作室”的模式。This is a residential courtyard with a front yard and a back room. The two-story building in the backyard will be used as Nanshan Carpentry's workshop. Therefore, the new building in the front yard must not only meet the needs of the cafe, but also serve as the entrance to Nanshan Carpentry and effectively connect it. The backyard space was opened up and the courtyard was redistributed to two business formats, forming a model similar to a "back studio".

建筑生成 ?即時設(shè)計研究所

鳥瞰 ?Kevin于是，建筑側(cè)個身，臨街就有了三角形的舞臺，野樹就站在舞臺的中央。建筑開個洞，家樹也從后院探出頭來。要是再有一片庇護的屋檐，這個小小村落的新故事，就要上演……So, the building turned sideways, and there was a triangular stage facing the street. The wild tree stood in the center of the stage. There was a hole in the building, and the domestic trees poked their heads out from the backyard. If there was another sheltering eaves, this small A new story in the village is about to unfold...

清晨，樹影是這方舞臺的第一個舞者，透過外擺區(qū)的三角形洞口，灑在店內(nèi)的吧臺上，彰示著一天營業(yè)的開始。隨著時間的推移，樹影緩慢游走，撫過地面，撫過桌椅，直到街道，直到日落。In the early morning, the shadow of the tree is the first dancer on this stage. Through the triangular opening in the outside area, it is sprinkled on the bar in the store, signaling the beginning of the day's business. As time goes by, the shadow of the tree slowly moves away. , caressing the ground, caressing the tables and chairs, until the street, until sunset.

樹影與吧臺 ?Kevin店內(nèi)的門窗洞口高低錯落，指向各不相同的景致。隨著行走或落座，周圍的綠意被吸引進室內(nèi)。屋檐的樹洞，更是成為了村里小動物的游樂場。The door and window openings in the store are staggered at different heights, pointing to different views. As you walk or sit down, the surrounding greenery is attracted into the interior. The tree hole in the eaves has become a playground for the small animals in the village.

面向桃樹的落地窗 ?Kevin

木質(zhì)的矮窗 ?Kevin

面向街道的長窗 ?Kevin

面向鄰居院落的高窗 ?Kevin

屋頂玩耍的貓 ?Kevin后院的入口布置在外擺區(qū)遠端，穿過花園之間的小徑，通往南山木工的工坊，并連接起通往二樓的樓梯。這種遞進的布局模式，使得院落空間被充分利用，并形成富有層次感的視覺體驗。The entrance to the backyard is located at the far end of the outbuilding area, passing through the paths between the gardens, leading to Nanshan Carpentry's workshop, and connecting to the stairs leading to the second floor. This progressive layout pattern makes full use of the courtyard space. , and form a layered visual experience.

后院入口 ?Kevin

通往木工坊 ?Kevin

回看后院入口 ?Kevin

后院看向街道 ?Kevin

振興

我們試圖通過這棟建筑向村落傳遞善意：We try to convey goodwill to the village through this building:

一是對草木的保護。在近年的發(fā)展中，村落里阻礙建設(shè)的大樹被砍伐，回憶與生機也被掩埋。于是，哪怕只是一棵無名的野樹，我們也嘗試保留。The first is the protection of vegetation. In recent years of development, large trees that hinder construction in villages have been cut down, and memories and vitality have been buried. Therefore, even if it is just an unknown wild tree, we try to preserve it.

二是關(guān)于開放和共享。這條小小的街道，在兩側(cè)房屋的擴張和擠壓下，其間的道路僅剩兩米多寬，除了車輛通行，已無法繼續(xù)承擔人的活動。那么，內(nèi)退的建筑與其形成的半室外空間，便成為了街道新的聚集點。The second is about openness and sharing. Under the expansion and squeeze of the houses on both sides of this small street, the road in between is only more than two meters wide. Apart from vehicle traffic, it can no longer bear human activities. So, retreat inward. The building and the semi-outdoor space formed by it have become a new gathering point on the street.

三是采用“村民共建”的方式應(yīng)對“鄉(xiāng)村振興”。這不僅為村落里的居民帶來了新的工作機會，更促進了新老村民的交流與融合。The third is to adopt a "co-construction by villagers" approach to respond to "rural revitalization", which not only brings new job opportunities to village residents, but also promotes exchanges and integration between new and old villagers.

野樹的舞臺 ?Kevin2024年9月，首屆海綿社區(qū)藝術(shù)節(jié)在黃良村舉辦，這場由藝術(shù)家和村民自發(fā)舉辦的藝術(shù)聚會為黃良村帶來了新的活力，而土象咖啡館作為其中最大體量的社區(qū)建筑，承擔了聚會、展示、服務(wù)、發(fā)布等多重功能。In September 2024, the first Sponge Community Art Festival was held in Huangliang Village. This art gathering spontaneously organized by artists and villagers brought new vitality to Huangliang Village, and the Earth Elephant Cafe, as the largest community building among them, assumed the role of the gathering. , display, service, publishing and other multiple functions.

回望十九世紀末至二十世紀中期，現(xiàn)代主義熱潮興起，從城市街道、自然村落到公共咖啡館，知名藝術(shù)聚集地及聚會場所激發(fā)了無數(shù)藝術(shù)家的創(chuàng)造力。我們期待，這座凝聚了集體智慧的小小咖啡館，亦能滋養(yǎng)出源源不斷的藝術(shù)創(chuàng)造力和對創(chuàng)造力的渴望。Looking back to the end of the 19th century to the mid-20th century, the modernism boom was on the rise. From urban streets to natural villages to public cafes, well-known art gathering places and gathering places inspired the creativity of countless artists. We look forward to this building that unites the collective A smart little cafe can also nourish endless artistic creativity and desire for creativity.